This is the second in a series of four articles on transforming activities for creativity. The first introduced the concept of creativity in the language classroom. This one focuses on the features of creativity.

Features of creativity - methodology article

 

  • The four features of creativity
    • Imaginative
    • Purposeful
    • Original
    • Of value
  • Making activities creative
  • Conclusion

 

The four features of creativity
Suppose you didn’t know what an apple was. Which of these two descriptions would help you more if you wanted to have an idea of the actual fruit?

  1. “fruit of the genus Malus (about 25 species) belonging to the family Rosacea, the most widely cultivated tree fruit”(1)
  2. “round fruit with firm juicy flesh and green, red or yellow skin when ripe”(2).

Perhaps you agree with me that the second one with a list of characteristic features would be a better starting point for building the concept of an apple. This is why I have chosen to start exploring creativity with its four features as they are listed on the National Curriculum in Action website (3). It says that creative thinking is:

  • Imaginative
  • Purposeful
  • Original
  • Of value

 

Imaginative
Creative thinking is imaginative as it brings about something that did not exist or was not known before, so it had to be imagined first. We can easily see this in art, but science and technology are also full of imagination.

  • It could only be through imagination that Johann Gutenberg was able to combine the wine press and the coin punch to create his printing press.
  • When Galileo was in prison, he wrote about imaginary experiments he made in his head.
  • Another example is Einstein, who – just to give one of the many possible examples – described the random movements of atoms before they could be seen in laboratories. He must have imagined them! (4)

 

Purposeful
The examples of scientific imagination above have already indicated that creative imagination is not daydreaming. It has a purpose, an objective, which can be a variety of things from surviving after your boat has sunk, through opening a bottle of wine without a corkscrew, to saving the life of cancer patients by finding a new treatment, or creating the complex emotional impact of catharsis.

Original
The third feature, originality, highlights that creativity has individuality built in it. It grows out of the individual as a plant grows out from a seed, and it is characteristic of the individual, too. The Nobel Prize winning physician, Albert Szent-Györgyi, who discovered vitamin-C, emphasises this feature of creativity in his definition:

Discovery consists of looking at the same thing as everyone else and thinking something different.” (5)

Of value
The last feature, which says that the product or result has to be of value, adds the element of evaluation into creative thinking. When evaluating our creation, we need to see how it serves the purpose. Also, we may need to judge the purpose, the goal itself.

There are highly imaginative and original solutions that serve the purpose all right, but the purpose itself may be totally destructive, harmful or immoral. Although the feature of value is a very important one, it is not a clear-cut category as different people are bound to find different things valuable to different degrees. What is of value for me may not be of value for you. Just think of the many different views people hold about graffiti. So it is worth asking the question:

"Whose values and what sort of values are we using to judge and act?"

Making activities creative
What does all this teach us about creative language learning activities in the classroom? The sum of it could be the following:

  • We need to give the activity a purpose that is something outside practising a certain language point. This purpose can usually be defined as some kind of outcome or product, which can be very simple like writing a shopping list for a new dessert learners would like to make for a friend’s birthday. Or it can be something really spectacular like putting a scene students write on stage. In this kind of activity, language is used as a tool, as a means to an end like in real life.
  • We need to organise the learning process in a way that gives time, space and freedom to learners so that they can use their imagination and originality. This often means suspending judgement for the time of the activity and being open to many possible answers, solutions and products. Learners need to understand that there is no one right answer, that there are many valuable solutions possible. This calls for tolerance for ambiguity in the classroom. Managing a creative classroom activity also makes it necessary for the teacher to act more like a facilitator or helper. All this of course does not mean losing sight of the objective or lacking realistic timing.
  • We need to make evaluation an integral part of the creative process. For evaluating a creative activity, it is very important not to restrict the evaluation to language use, as this would give learners the message that the outcome of the activity is not really important.


Generally speaking, my experience is that the more varied yet more focused the evaluation is the more motivating and more formative it is for the learners. What do I mean by varied? I mean that it comes from different sources: It combines self-evaluation, peer-evaluation and teacher-evaluation. It aims at different things: We evaluate the end-product, language use and the process (how learners worked together and contributed individually) using different criteria, which we preferably previously agreed on with the learners. By focused I mean that the evaluation is governed by the purpose or aim of the activity and the criteria we have set.


Conclusion

In conclusion we can say that if we want to run a creative activity in the classroom, we need to check for the presence of these four features: imagination, purpose, originality and value, and organise the process in a way that all these can be incorporated.

References
1. The New Encyclopaedia Britannica, Volume One, 15th edition, p.492
2. Oxford Advanced Learner’s Encyclopedic Dictionary (1994) Oxford, Oxford University Press p. 37
3. National Curriculum in Action; http://www.ncaction.org.uk/creativity/
4. Bronowski, Jacob: The Reach of the Imagination in: Shrodes, C – Finestone, H. – Shugrue, M. (Ed.): The Conscious Reader. (1988) New York: Macmillan Publishing Company
5. von Oech, Roger; A Whack on the Side of the Head, How You Can Be More Creative. Creative Think, California, 1992, p.7

Further reading
National Curriculum in Action: Why is creativity so important?
http://www.ncaction.org.uk/creativity/whyis.htm

Written by Judit Fehér, Pilgrims, UK

The BBC and the British Council are not responsible for the contents of external sites.

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